Day 23 of Inktober ... continuing my research into knifefighting. Today's focus is on John Styers's In-Quartata. In case you missed my previous entries on John Styers, please check out:
- Inktober Day #5 - Bob Kasper's/Kni-Com's "Passata Sotto"(based on John Styers' teachings)
- Inktober Day #15 - John Styers' On-Guard Stance
- Inktober Day #24 - John Styers' Passato Sotto
- Inktober Day #25 - John Styers' Targets
Below is my transcription straight from the Close Combat Classic, Cold Steel.
From Cold Steel (1952)
By John Styers
Pages 56-60
- The in-quartata or out-of-line starts from the guard position. Conceal the nature of your attack until opponent is in range.
- When opponent rushes into range, thrust home and apply power with the rear leg, directing the body to the right side.
- Your rear leg will push off and swing to the right, pivoting the body out of line with the oncoming rush of your opponent.
- The full pivot out of line, with your rear foot solidly planted. Retain your full thrust, letting the opponent cut the blade out. If you attack an enemy from the rear or flank, try a straight thrust to the throat with the full edge, not the point, of your blade. Immediately draw the knife back, snapping the cutting edge of the knife across opponent's throat, making two cuts.
IN-QUARTATA OR OUT-OF-LINE
The defensive movement in fencing known as in-quartata or OUT-OF-LINE is a fine movement of the feet which throws the body approximately three feet out of the line of your opponent's attack if he attacks with so much force that you do not choose to be there to meet it with a stop thrust.
From your guard position, knees slightly bent, you execute a full thrust as the torso vigorously pivots, assisted by the free arm whipping back.
You will also utilize the FULL POWER of your REAR leg to pivot the whole body on the FORWARD leg. Your rear leg swings around in an arc and lands on the opposite side. Your entire stance should now look like a full sabre thrust from a sabre stance, but YOU ARE AT AN ANGLE TO YOLR OPPONENT.
Your opponent's momentum will carry him over your original position, by about two or three feet. There will be no need for you to withdraw your blade from your opponent, his momentum will carry his BODY OUT OF THE BLADE!
My drawings for Inktober 2017 - drawing at least 1 pic each day in October:
- Inktober Day #1 - Taiji's "Snake creeps down"
- Inktober Day #2 - DBMA's Chupacabra knifefighting stance
- Inktober Day #3 - Peacock Pose/Mayurasana/Kujaku
- Inktober Day #4 - Bob Kasper's/Kni-com's knifefighting stance
- Inktober Day #5 - Bob Kasper's/Kni-Com's "Passata Sotto"
- Inktober Day #6 - "Grab & Stab" vs. "C" Grips
- Inktober Day #7 - Richard Ryan's/DCM's Knifefighting Stance
- Inktober Day #8 - Michael Janich's/MBC's Knifefighting Stance
- Inktober Day #9 - Michael Janich's/MBC's "The Filipino Grip"
- Inktober Day #10 - Bob Kasper's/Kni-com's In-Waist Band Carry
- Inktober Day #11- Trapping's "Pak Sao"
- Inktober Day #12 - Bob Kasper's 'palm push'
- Inktober Day #13 - Bob Kasper's tiger claw entry
- Inktober Day #14 - Michael Janich's Vascular Knife Targets
- Inktober Day #15 - John Styers' On-Guard Stance
- Inktober Day #16- "Box Theory" by Terry Trahan
- Inktober Day #17 - Bob Kasper's 5th Principle of Knifefighting - "Stay in the box."
- Inktober Day #18 - Dwight McLemore's/American Fighting Congress' "Window of Combat"
- Inktober Day #19 - Beware the hidden knife!
- Inktober Day #20 - Richard Ryan's Tactical Concealment/Deceptive Carry Methods
- Inktober Day #21 - Lee Morrison's/Urban Combatives' Body Language Cues
- Inktober Day #22 - Lee Morrison's/UC's The 3 Es
- Inktober Day #24 - John Styers' Passato Sotto
- Inktober Day #25 - John Styers' Targets
- Inktober Day #26 - Amante Marinas'/Pananandata's 12 Targets
- Inktober Day #27 - Fernan Vargas'/Raven Combatives' Fairbairn Vital Template
- Inktober Day #28 - Bloody Brazilian Knife Fighting Techniques' Immobilizing Targets
- Inktober Day# 29 - Hank Reinhardt - Old fencing trick
- Inktober Day #30 - Michael Janich's/MBC's Abanico
- Inktober Day #31: Craig Douglas' Pikal: Some points and stance
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